10-1b4c ミメシス is analog-indexical, パロディア is digital-iconical, アナロギア is digital-symbolical

「之を知る者は之を好む者に如かず。之を好む者は之を楽しむ者に如かず。」– 孔子 (Confucius)

ミメシス = mimesis
パロディア = parody
アナロギア = analogy

Analogy is all the more important because it usually crosses boundaries. Inspired by 松岡正剛 and Daniel Everett.

Next:

• 10-1b4d ‘好み’ = ミメシスからパロディアへ

Related:

• 1-1c6d The Fun Criterion must be used in the context of solving problems

• 3-1a The reality doesn’t have categories, there are only problems to be solved. Be problem-project-oriented. ‘Academic subjects’ are mere social constructs.

  • Inspired by Charlie Munger and David Deutsch.revisit

• 3-1b2 Use the Fun Criterion to filter what problems to work on

• 5-1b1b2 Flow to the most interesting, because the Fun Criterion doesn’t distinguish what’s fun via categories. Fun just means fun.

• 5-1b1b2a If you follow the Fun Criterion, you’ll be good at things

• ギリシャの編集方法

  1. ミメシス (= 知る?)
  2. パロディア (諧謔 -かいぎゃく- 特徴検出) (= 好む?)
  3. アナロギア (類推) (= 楽しむ?)
     • もっとも重要な思索の方法